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Hey, you there! Yes you!
WOW, what a coincidence!!
Slot 2 [OPEN]
Slot 3 [OPEN]
Let me show you some of my wares!
Colored $7
The colored example shown for both headshots and busts were made with watercolor and colored pencil, respectively. The actual commissions will be colored digitally.
Colored $12
Colored: $17
Inks: $13
Colored: $20
All commission requests will most likely be done within a week. If it takes any longer I will send a note. Other than that I'll keep you updated on the progress of the piece(s) regularly. I'll update the journal as soon as slots close or open.
In fact, NO COMMISSIONS! I take it back. Go home! Go on, GIT!
Jk, jk. Hit me up!
Comment for interest, Note me for specifics. I'll be happy to do business with you.
Unless you use POINTS. I don't even know what those are.
I'm new at this so if there's anything I missed information-wise above let me know. If anything's too expensive (or too cheap for that matter) we can discuss that too
First come first serve.
Do you want a... COMMISSION?
Hmm? You do?
Well it just so happens that I have 3 slots open for just that very purpose!WOW, what a coincidence!!
SLOTS
Slot 1 [OPEN]Slot 2 [OPEN]
Slot 3 [OPEN]
Let me show you some of my wares!
Requests & Pricing
All payments will be made through PayPal.
Headshots:
Inked: $4Colored $7
The colored example shown for both headshots and busts were made with watercolor and colored pencil, respectively. The actual commissions will be colored digitally.
Busts:
Inked: $9Colored $12
Full Body:
Inked: $13Colored: $17
Page of Finished Sketches:
Pencils: $9Inks: $13
Colored: $20
Contact & Deadlines
Send me a note and we'll discuss what you want, how you want it and where to stick it (like on Deviantart or Instagram or something, geez). I will send you sketches to approve. You send me half a payment. I draw you something which you can ENJOY and then you pay the rest. If you're unhappy with the results I will do my best to make corrections based on your wishes, or refund you.All commission requests will most likely be done within a week. If it takes any longer I will send a note. Other than that I'll keep you updated on the progress of the piece(s) regularly. I'll update the journal as soon as slots close or open.
Limits
- I draw the line at hentai or any pornographic stuff.
- Don't know if I can legally do copyrighted characters for money, but we can discuss that.
- No background work (trees, grass, roads, but seriously, NO TREES (for now).
- Can't mail anything out for now but I may be able to later.
- In regards to violence, I can do some, but nothing too graphic.
- Can't do robots or mechanical stuff either. I can try, but I can't guarantee you'll like the results.
In fact, NO COMMISSIONS! I take it back. Go home! Go on, GIT!
Jk, jk. Hit me up!
Comment for interest, Note me for specifics. I'll be happy to do business with you.
Unless you use POINTS. I don't even know what those are.
I'm new at this so if there's anything I missed information-wise above let me know. If anything's too expensive (or too cheap for that matter) we can discuss that too
First come first serve.
The 10-Minute Drawing WARMUP
I've been doing videos for a while now!
Check this one out for a BADASS drawing warmup.
Pareto Principle In Art study
It's an oft-heard of idea in business, but I'd say that Pareto's 80/20 principle would also apply well to art study.
The Pareto principle is the idea that 20% of the work gets you 80% of the results (may be oversimplified here, but you get the general idea.).
To illustrate, say you have 10 categories of art study:
Perspective
Facial ExpressionInkingColor TheoryLight and ShadeFigure DrawingBackgroundsCompositionRenderingPaintingWhich TWO would you pick to get you the MAJORITY of initial results when making comics?
In comics, or illustration in general, wouldn't you say that if 20 percent of all that you learn is perspective and figu
Is it more effective to craft your style?
Just a quick question to get you thinking about something that's been on my mind for a while now.
Is it more effective to craft your style?
As opposed to sort of just letting it happen naturally over time?
I feel like most people do a mixture of both as they progress, so it's not really a binary, one-or-the-other type decision, or really much to think about :T
But I've spent the week writing an "article" about this idea, until just now deciding to truncate it to get the idea across. If you want to see what I had so far, the link to the unfinished doc with notes is here:
https://docs.google.com/document/d/e/2PACX-1vQHOlrro2oeGP1xwRt89Diy
Retreading
After such a long break, getting back into the swing of things is pretty hard. It's like re-watching a movie you didn't finish the first time; trudging through the beginning to get to the parts you haven't seen yet. That's what it feels like to return to drawing and improving. But I haven't gotten to the improving part yet, lol. I'm still just retreading old ground and re-establishing my old skills, which unmistakably diminished (somewhat -_-).
But I came back with a new understanding of life in general that's basically guiding this whole process. Whereas before, I could easily burn myself out by being too tunnel-visioned on my own conceptua
© 2015 - 2024 ComiKen
Comments2
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I would fill one your commission slots to support your journey and just to give you monyons, but my financial situation isn't the best quite possibly the worst..... But next time you're holding commissions I'll be there.... Cause when you call my name I'll be there - MJ voice
It's great to see you doing commissions your art is improving right before all of our eyes
It's great to see you doing commissions your art is improving right before all of our eyes